Category: DEFAULT

I - The Silver Sleigh Bells - Rachmaninoff* / The Philadelphia Orchestra, Eugene Ormandy - The B

He was turned off by food, had constant pain in his arms and sides, and found it increasingly difficult to breathe. On 26 March, the composer lost consciousness and he died two days later, four days before his seventieth birthday. In August , Russia announced its intention to seek reburial of Rachmaninoff's remains in Russia, claiming that Americans have neglected the composer's grave while attempting to "shamelessly privatize" his name.

The composer's descendants have resisted this idea, pointing out that he died in the U. After Rachmaninoff's death, poet Marietta Shaginyan published fifteen letters they exchanged from their first contact in February and their final meeting in July Shaginyan and the poetry she shared with Rachmaninoff has been cited as the inspiration for the six songs that make up his Six Songs, Op.

Rachmaninoff wrote five works for piano and orchestra: four concertos— No. Of the concertos, the Second and Third are the most popular. Rachmaninoff also composed a number of works for orchestra alone. The three symphonies: No. Widely spaced chronologically, the symphonies represent three distinct phases in his compositional development.

The Second has been the most popular of the three since its first performance. Other orchestral works include The Rock Op. Works for piano solo include 24 Preludes traversing all 24 major and minor keys ; Prelude in C-sharp minor Op. Stylistically, Op. There are also the Six moments musicaux Op. He wrote two piano sonatas , both of which are large scale and virtuosic in their technical demands.

Rachmaninoff also composed works for two pianos, four hands, including two Suites the first subtitled Fantasie-Tableaux , a version of the Symphonic Dances Op. Both these works were published posthumously. Rachmaninoff wrote two major a cappella choral works—the Liturgy of St. It was the fifth movement of All-Night Vigil that Rachmaninoff requested to have sung at his funeral. Aleko is regularly performed and has been recorded complete at least eight times, and filmed.

The Miserly Knight adheres to Pushkin's "little tragedy". Francesca da Rimini exists somewhat in the shadow [ citation needed ] of the opera of the same name by Riccardo Zandonai. He also composed many songs for voice and piano, to texts by A. Among his most popular songs is the wordless Vocalise.

Rachmaninoff's style showed initially the influence of Tchaikovsky. Beginning in the mids, his compositions began showing a more individual tone. His First Symphony has many original features. Its brutal gestures and uncompromising power of expression were unprecedented in Russian music at the time.

Its flexible rhythms , sweeping lyricism and stringent economy of thematic material were all features he kept and refined in subsequent works.

After the three fallow years following the poor reception of the symphony, Rachmaninoff's style began developing significantly. He started leaning towards sumptuous harmonies and broadly lyrical, often passionate melodies. His orchestration became subtler and more varied, with textures carefully contrasted, and his writing on the whole became more concise.

This much is self-evident. What is extraordinary is the variety of bell sounds and breadth of structural and other functions they fulfil. He uses them most perceptibly in his Vespers , but many of his melodies found their origins in these chants. The opening melody of the First Symphony is derived from chants.

The opening melody of the Third Piano Concerto, on the other hand, is not derived from chants; when asked, Rachmaninoff said that "it had written itself". Rachmaninoff's frequently used motifs include the Dies Irae , often just the fragments of the first phrase. Rachmaninoff had great command of counterpoint and fugal writing, thanks to his studies with Taneyev.

The above-mentioned occurrence of the Dies Irae in the Second Symphony is but a small example of this. Very characteristic of his writing is chromatic counterpoint. This talent was paired with a confidence in writing in both large- and small-scale forms. The Third Piano Concerto especially shows a structural ingenuity, while each of the preludes grows from a tiny melodic or rhythmic fragment into a taut, powerfully evocative miniature, crystallizing a particular mood or sentiment while employing a complexity of texture, rhythmic flexibility and a pungent chromatic harmony.

His compositional style had already begun changing before the October Revolution deprived him of his homeland. The harmonic writing in The Bells was composed in but not published until This may have been due to Rachmaninoff's main publisher, Gutheil, having died in and Gutheil's catalog being acquired by Serge Koussevitsky. In both these sets Rachmaninoff was less concerned with pure melody than with coloring.

His near- Impressionist style perfectly matched the texts by symbolist poets. The composer's friend Vladimir Wilshaw noticed this compositional change continuing in the early s, with a difference between the sometimes very extroverted Op. The variations show an even greater textural clarity than in the Op. This would be characteristic of all his later works—the Piano Concerto No. Nevertheless, some of his most beautiful nostalgic and melancholy melodies occur in the Third Symphony , Rhapsody on a Theme of Paganini , and Symphonic Dances.

Music theorist and musicologist Joseph Yasser , as early as , uncovered progressive tendencies in Rachmaninoff's compositions. He uncovered Rachmaninoff's use of an intra-tonal chromaticism that stands in notable contrast to the inter-tonal chromaticism of Richard Wagner and strikingly contrasts the extra-tonal chromaticism of the more radical twentieth century composers like Arnold Schoenberg.

Yasser postulated that a variable, subtle, but unmistakable characteristic use of this intra-tonal chromaticism permeated Rachmaninoff's music.

His reputation as a composer generated a variety of opinions before his music gained steady recognition around the world. The edition of the Grove Dictionary of Music and Musicians notoriously dismissed Rachmaninoff's music as "monotonous in texture Schonberg , in his Lives of the Great Composers , responded: "It is one of the most outrageously snobbish and even stupid statements ever to be found in a work that is supposed to be an objective reference.

The Conservatoire Rachmaninoff in Paris, as well as streets in Veliky Novgorod which is close to his birthplace and Tambov , are named after the composer. In , the Moscow Conservatory dedicated a concert hall on its premises to Rachmaninoff, designating the seat auditorium Rachmaninoff Hall, and in the "Monument to Sergei Rachmaninoff" was installed in Moscow. A separate monument to Rachmaninoff was unveiled in Veliky Novgorod, near his birthplace, on 14 June His playing was marked by precision, rhythmic drive, notable use of staccato and the ability to maintain clarity when playing works with complex textures.

Rachmaninoff applied these qualities in music by Chopin , including the B-flat minor Piano Sonata. Rachmaninoff's repertoire, excepting his own works, consisted mainly of standard 19th century virtuoso works plus music by Bach , Beethoven , Borodin , Debussy , Grieg , Liszt , Mendelssohn , Mozart , Schubert , Schumann and Tchaikovsky.

Carmina Burana: Carl Orff's fesselndes Jahrundertwerk. Rossini: Overtures. Berlioz: Requiem. Strauss: Orchestral Music from Stage Works. American Masterpieces. Ravel, Debussy, Satie: Orchestral Works. Sibelius: Symphonies Nos. Mozart: Symphonies Nos. Mahler: Symphony No. Biddulph Recordings. Walter Piston: Symphony No. Albany Music Distribution. Rachmaninov: Symphony Nos. Tchaikovsky: Overture; Symphony No.

Brahms: Symphonies Nos. Franck: Symphony in D minor; Symphonic Variations. Schubert: Symphonies Nos. Persichetti: Symphony No. Tchaikovsky: The Nutcracker Highlights. Barati: Concertos. Charles Ives: Symphonies Nos. Pariser Leben. Art of Eugene Ormandy. Strauss Jr. Super Hits. Ormandy: Maestro Brillante, Disc 5. Ormandy: Maestro Brillante, Disc 4. Brahms: Violin Concerto; Double Concerto for violin and cello.

Ormandy: Maestro Brillante, Disc 1. Ormandy: Maestro Brillante, Disc 2. Titelverzeichnis Disk: 1. The Herald Angel Sings. Away In A Manger. The Little Drummer Boy.

Waltz Of The Flowers. What Child Is This? Sleigh Ride. The First Nowell. Carol Of Bells. O Come All Ye Faithful. Joy To The World. Thus in the closing stages the music drives forward more urgently, and there is a struggle for supremacy between a Russian chant and the Dies Irae.

At the point when the former becomes triumphant, Rachmaninov wrote 'Alliluia' in the score, until resolving on a series of huge crashes dominated by the resounding timbre of the tam-tam.

Whatever the response to details, this imagery was important to Rachmaninov, who had for some time been in poor health. The three Symphonic Dances, his final composition, form a remarkable tribute to the strength of his creative spirit. In , shortly before his death, he remarked, 'I don't know how it happened, it must have been my last spark. Symphonic Dances, Op.

Edison's staff and Rachmaninoff were pleased with the released discs and wanted to record more, but Thomas Edison refused to engage the pianist for further work, saying the ten sides were sufficient for label prestige purposes. The company was pleased to comply with Rachmaninoff's restrictions, and proudly advertised him as one of their prominent recording artists. His recordings for Victor continued until , when the American Federation of Musicians imposed a recording ban on their members.

Particularly renowned are his renditions of Schumann's Carnaval and Chopin's Funeral March Sonata , along with many shorter pieces. He recorded all four of his piano concertos with the Philadelphia Orchestra , including two versions of the second concerto with Leopold Stokowski conducting an acoustical recording in and an electrical remake in , and the world premiere recording of the Rhapsody on a Theme of Paganini , soon after the first performance with the Philadelphians under Stokowski.

The first, third, and fourth concertos were recorded with Eugene Ormandy in Rachmaninoff also made three recordings conducting the Philadelphia Orchestra in his own Third Symphony , his symphonic poem Isle of the Dead , and his orchestration of Vocalise.

Last edited by jserraglio on Tue Jan 03, am, edited 1 time in total. This one was recorded in '53, making it part of the above series, but not released till circa ' Here's a list I compiled from various posts just in case anyone else is interested. Choir Nov. A number of his RCA recordings that haven't made it to the U.

The point is, what really detracts from many of his released 60s performances, is that as he realized more and more the advantages of tape editing, he was more and more nit-picking about what portions of this or that take he wanted joined with another take. The sound is excellent, the performance outstanding--lots of the drive and flow that Wallingford alluded to.

The PO sounds, well, sensational. My copy is not in perfect shape an old Goodwill purchase but the music came thru loud and clear. Such committed, energized playing from the Philadelphians, and such a dramatic, involving interpretation! He seems to take the music more seriously in the earlier mono recording. I'm sorry that I can't help on the production date, which I have done some looking for with no success. BTW, I've actually found two copies of this lp at thrift stores the second one with much quieter surfaces.

They're out there! I've actually found two copies of this lp at thrift stores the second one with much quieter surfaces. I'd be interested in the one from '53 with Krachmalnick as concertmaster. I love his playing on the recordings from that period that I've heard so far. Very useful. For some reason, the pianists , particularly, loom large in Ormandy's collaborative efforts on disc.

On the other hand, I've always adored his Handel Messiah with Eileen Farrell and company, and particularly his Orff Carmina Burana, which is one of the most exciting performances I've ever heard.

The Philadelphia Orchestra - Listen to The Philadelphia Orchestra on Deezer. With music streaming on Deezer you can discover more than 56 million tracks, create your own playlists, and share your favorite tracks with your friends.

9 thoughts on “I - The Silver Sleigh Bells - Rachmaninoff* / The Philadelphia Orchestra, Eugene Ormandy - The B”

  1. Daniil Trifonov's own piano transcription of Sergei Rachmaninoff's choral symphony The Bells, Op. First movement. “The Silver Sleigh Bells”. (If you like this video, "share" with musical friends and please also 'like' the Rachmaninoff Network Page above so we reach likes soon!).
  2. Jan 06,  · Sergei Vasilyevich Rachmaninoff, The Philadelphia Orchestra, Eugene Ormandy, Mack Harrell, Temple University Choir*, Elaine Brown (2) - The Bells Op. 35, Isle Of The Dead Op. 29 ‎ (12", S/Edition) Special Service Records3/5(2).
  3. The acclaimed Russian pianist concludes his Destination Rachmaninoff project with the composer's Piano Concertos Nos. 1 & powermetal.ballanaranuadakelvgukree.infoinfo included here are Trifonov’s own transcriptions of Vocalise and The Silver Sleigh Bells.
  4. Jan 31,  · Rachmaninoff had a special relationship with the Philadelphia Orchestra and after hearing this recording of his second symphony one can understand why he loved to hear the Orchestra play his music. This performance is a perfect example of the lush Philadelphia Sound for which the Orchestra was known during most of the 20th century/5(37).
  5. Photo: Eugene Ormandy Papers, Kislak Center for Special Collections, Rare Books, & Manuscripts, University of Pennsylvania. While Rachmaninoff asked Ormandy for help with the Symphony before it was performed, it was Stokowski and The Philadelphia Orchestra who gave the piece its world premiere in the fall of
  6. What Child Is This? / O Come, O Come Emmanuel / The First Noel / Silent Night, Holy Night (tracks 6, 14).
  7. The first movement, The Silver Sleigh Bells, is scored for tenor solo, chorus and orchestra. The initial rhythmic idea is strongly characterised, largely because it is so expertly scored, and the mood thus generated pervades the whole movement save for the coda.
  8. Jan 16,  · Felix Mendelssohn, Christmas Traditional, Katherine K. Davis, Pyotr Il'yich Tchaikovsky, Leroy Anderson, Mykola Dmytrovich Leontovych, John Francis Wade, Lowell Mason, Franz Xaver Gruber, Johann Sebastian Bach - Joy to the World - Eugene Ormandy, Philadelphia Orchestra - powermetal.ballanaranuadakelvgukree.infoinfo Music/5(48).
  9. Sep 05,  · RACHMANINOV SYMPHONY NO.1 EUGENE ORMANDY / PHILADELPHIA ORCHESTRA (Recording February 28 Philadelphia)).

Leave a Reply

Your email address will not be published. Required fields are marked *